Author szachtar posts - Page 5
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Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese having been the only continuous member until his death in January 2015. The best-known lineup of the group was its mid-'70s trio of Froese, Christopher Franke, and Peter Baumann. In 1979, Johannes Schmoelling replaced Baumann. Since Froese's death in 2015, the group has been under the leadership of Thorsten Quaeschning (Froese's chosen successor and the current longest-serving band member, having joined in 2005). He is joined by violinist Hoshiko Yamane who joined in 2011, Ulrich Schnauss who joined in 2014 and Paul Frick who joined 9 June 2020.
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Temple Balls are an energetic hard rock band from Finland. For the past couple of years, Temple Balls has kept busy both in the studio and on the stage.
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John the Revelator, a blues band from Holland. Formed in 1968, this band has remained alive and kicking, touring all over Europe and Australia for 55 years.
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The genius of gypsy guitar, Django Reinhardt became the first great European jazzman. The best of his immortal recordings with violinist Stéphane Grappelli are included here, together with other highlights illustrating his instrumental prowess.
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Eric George Lopez, known professionally as Ericdoa, is an American singer, songwriter, and record producer. He is known as one of the central artists in the hyperpop/digicore genres of music.
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Eek-A-Mouse is a Jamaican reggae musician. He is one of the earliest artists to be described as a "singjay". Eek-A-Mouse is well known for pioneering his own style of scatting, differing from the-then toasting deejays in the 80s.
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Hubert Kah is a German synthpop band, led by Hubert Kemmler (born 22 March 1961 in Reutlingen). Kemmler is a German musician, composer, songwriter and producer.
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Flesh for Lulu were an English rock band formed in Brixton, London, England, active between 1982 and 1992. They reformed from 2013 to 2015 with a new lineup. Initially part of the post-punk scene, the band's sound shifted to reflect influences from pop music, country and western, rhythm and blues and blues.