Superman & Lois
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The Dress - Superman and John Henry clash over how to handle Bruno Mannheim, while Lois worries over upcoming treatments and confides in Lana about her early courtship with Clark. Meanwhile, Jonathan, Jordan, and Sarah work together to help Natalie deal with the aftermath of meeting Matteo's family.
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Guess Who's Coming to Dinner - In the wake of learning that Bruno and Peia are married, Clark works to reignite Lois' interest in taking Bruno down. Elsewhere, Natalie meets Matteo's parents for the first time, with disastrous consequences. Meanwhile, the Kent boys clash when Jordan interferes with Jonathan's training at the Firehouse, Lana bonds with General Lane over their shared fear of dating again, and Sarah realizes her mom needs a friend.
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Uncontrollable Forces - Clark and Chrissy both notice a small crack in Lois' game face. Meanwhile, Sarah and Jordan have an awkward encounter. Lastly, Lana receives a panicked phone call.
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Tried and True -
Lois tells Clark that she and Chrissy plan to do a deeper dive into the Inverse Society and Lana and Sarah try to comfort each other after the fallout at Sarah's quinceañera. Meanwhile, Jordan notices something suspicious in Jonathan's book bag. Lastly, Lt. Mitch Anderson finds himself under fire for the deterioration of the department of defense's relationship with Superman.
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Born in New York and based in Los Angeles, Dan Romer is a producer, songwriter, and film composer known for his production credits on chart-dominating pop hits and score work for revered and acclaimed movies. Romer began his career in music production when he graduated in 2004 from the Conservatory of Music's studio production program. He went on to establish a name for himself working alongside unique, creative, and successful artists. In the late 2000s, Romer lent his talents to producing indie pop singer/songwriter Jenny Owen Youngs' debut full-length, Batten the Hatches, and her sophomore effort, Transmitter Failure. Both records were commended for their innovative approach to songwriting and both Romer and Youngs' decision to not opt for the saturated over-production style that had started to become popular elsewhere within the genre.