The Outpost - Page 2
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They Bleed Black Blood - Talon and Luna fight to save Zed from unearthly powers. Garret pressures Tobin to betray Falista. Wren and Janzo explore mysteries beneath the Outpost. Meanwhile, the kinjes are summoned to the Capital.
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The Outpost
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Going to Meet the Gods -
Garret leads a rebellion. Talon and Zed track a Lu Qiri to find a new enemy. Falista recruits Wren and Janzo to serve a specific purpose. Luna faces her greatest challenge yet.
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The Outpost
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The Gods Thank You -
Garret is set free but must serve a new ruler. Talon and Zed return to save the Blackbloods but discover a tragedy. Falista tries to make peace.
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The Outpost
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A Throne of Our Own - Garret attacks a new queen and strange visions reveal a new threat. Talon and Zed devise a plan to save the Blackbloods. Janzo discovers Wren's secret. Meanwhile, Tobin tries to stay loyal and Luna attempts another assassination.
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The Outpost
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Someone Has to Rule -
Garret wants Talon to take the throne, while a mysterious assassin seeks revenge. Falista mourns for Tobin but hatches a new plan. Zed wants Wren to be High Priestess and uncovers a secret about her.
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The Outpost
Plot
A small team of U.S. soldiers battle against hundreds of Taliban fighters in Afghanistan.
Plot
A small team of U.S. soldiers battle against hundreds of Taliban fighters in Afghanistan.
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In the world of filmmaking today, many films lose a vital aspect which the music score is supposed to deliver to the audience: Significance. What makes a score significant is simply a 'sing-able' tune---a tune you can easily associate with each scene and each character. Many modern scores resort to ambient music which extinguishes any opportunity for significance. I believe that the music in a film should represent the characters in a melodic form and should allow you to visualize the film, even when you're not watching it. Far too often the importance of the film composer is overlooked and simply given to someone with a computer and a music creation software. It is not the tools but the true knowledge, experience and, most importantly, the raw creativity and natural talent that makes a great composer; therefore great music.