Danny Elfman
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Wednesday is an American coming of age supernatural horror comedy television series based upon the character Wednesday Addams from The Addams Family. Created by Alfred Gough and Miles Millar and Tim Burton, it stars Jenna Ortega as the titular character, with Catherine Zeta-Jones, Luis Guzmán, Isaac Ordonez, and Gwendoline Christie appearing in supporting roles. Four out of the eight episodes are directed by Burton, who also serves as executive producer. The series premiered on Netflix on November 23, 2022.
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The album features the movie's original score composed by Danny Elfman (Batman, Spider-Man, A Nightmare Before Christmas, Beetlejuice, Alice in Wonderland, Avengers: Age of Ultron). Also included is a track by Dean Wareham & Britta Phillips.
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Daniel Robert Elfman (born May 29, 1953) is an American film composer, singer, and songwriter. He came to prominence as the singer-songwriter for the new wave band Oingo Boingo in the early 1980s. Since the 1990s, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall.
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Daniel Robert Elfman (born May 29, 1953) is an American film composer, singer, and songwriter. He came to prominence as the singer-songwriter for the new wave band Oingo Boingo in the early 1980s. Since the 1990s, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall.
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Danny has written over 100 film scores, some of the most notable ones are collaborations with Tim Burton such as Pee Wee's Big Adventure, Batman, The Nightmare Before Christmas, Edward Scissorhands and Alice in Wonderland. Other notable film scores include collaborations with Gus Van Sant such as Milk, Good Will Hunting and Don't Worry He Won't Get Far On Foot, and the recent DC comic Justice League and the Fifty Shades blockbuster trilogy.
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Big Mess marks Elfmans first solo collection in more than thirty years, but its no return to form. Clocking in at 18 tracks, the sprawling, ambitious double album finds the Grammy and Emmy Award-winning composer breaking bold new ground as both a writer and a performer, drawing on a dystopian palette of distorted electric guitars, industrial synthesizers and orchestra in an effort to exorcise the demons brought about by four years of creeping fascism and civil rot.
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Big Mess marks Elfmans first solo collection in more than thirty years, but its no return to form. Clocking in at 18 tracks, the sprawling, ambitious double album finds the Grammy and Emmy Award-winning composer breaking bold new ground as both a writer and a performer, drawing on a dystopian palette of distorted electric guitars, industrial synthesizers and orchestra in an effort to exorcise the demons brought about by four years of creeping fascism and civil rot.
Info
Big Mess marks Elfmans first solo collection in more than thirty years, but its no return to form. Clocking in at 18 tracks, the sprawling, ambitious double album finds the Grammy and Emmy Award-winning composer breaking bold new ground as both a writer and a performer, drawing on a dystopian palette of distorted electric guitars, industrial synthesizers and orchestra in an effort to exorcise the demons brought about by four years of creeping fascism and civil rot.
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